Stclair Renaissance studio
Welcome to St. Clair Renaissance Studio
St. Clair Renaissance Studio is the creative home of artist Hopeton St. Clair Hibbert Jr.—a space where fine art, design, and storytelling converge. Rooted in a philosophy of transformation and legacy, the studio brings together photography, sculpture, and mixed-media works alongside a growing line of collectible art objects.
From limited-edition silk scarves and museum-quality art prints to special releases, each offering extends the studio’s commitment to craftsmanship, concept, and cultural dialogue. These works are not simply decorative—they are designed to carry narrative, material presence, and emotional resonance into everyday life.
Drawing from series such as Double Consciousness and other evolving bodies of work, St. Clair Renaissance Studio explores themes of identity, memory, resilience, and perception. Natural forms, salvaged materials, and refined textiles become vehicles for reflection and connection.
Whether displayed on a wall, worn as a statement, or collected as an investment in contemporary art, each piece from the studio invites you to engage with art as a living experience.
Art to wear. Art to live with. Art to carry forward.Double Consciousness Scarfs
‘Undaunted’ — Double Consciousness Series
A luxury, limited-edition silk art piece that merges fine art and fashion. ‘Undaunted’ is offered in two exclusive collectible formats:
• Limited 30 signed and framed 33”×33” silk scarves (collector’s edition)
• Limited 60 signed 25”×25” silk scarves (collector’s edition)
More than an accessory, this is a museum-grade textile artwork—designed to be collected, displayed, and lived with. A rare opportunity to acquire a signed work from the Double Consciousness series in an intimate, luxury format.
Double Consciousness Series
The Double Consciousness series is an ongoing photographic and mixed-media exploration of perception, identity, and layered awareness. Drawing inspiration from the idea that one can hold multiple realities at once—personal, cultural, and psychological—the work examines how we see ourselves and how we are seen.
Using close study of natural surfaces, particularly the textured bark of the London plane tree, the imagery transforms organic detail into abstract landscapes. Through hyper-sharpened focus, selective cropping, and subtle surface interventions, each piece invites viewers to look beyond first impressions and consider the quiet complexity beneath what appears familiar.
The tree becomes both subject and metaphor: resilient, marked by time, and carrying histories within its layers. These visual fragments echo the human experience—how memory, heritage, and environment shape identity over time.
Across photography, silk, and mixed-media presentations, Double Consciousness blurs boundaries between documentation and abstraction, nature and self, fashion and fine art. Each work asks the viewer to slow down, to look again, and to recognize that meaning often lives in layers rather than on the surface.
At its core, the series is about awareness—of self, of history, and of the subtle dialogues between inner and outer worlds.
